The Grammy Awards were transformed into the
greatest baby shower of all time, when Beyonce took the stage on Sunda.
After Beyonce broke the internet with news of her
pregnancy, the music industry and fans wondered for nearly two weeks what a
Beyonce set might look like. Some expected a full and uncompromising show,
while others predicated a simple chair and microphone.
The singer
triumphantly delivered a gravity defying two-song section from her
multiple-nominee lightning-rod album “Lemonade.”
Beyonce performed “Love Drought,” a dreamy ballad
about calling a truce in a relationship plagued by betrayal, and “Sandcastles,”
about the inability to walk away from true love.
Before she sang a single note, the star read a
spoken-word poem against a video backdrop. It was the kind of video-art set she
sampled at last year’s Tidal streaming concert in Brooklyn.
The segment imagined Beyonce as many do — as a
goddess, bejeweled in an elaborate crown wrapped in
gauze.
One by one, on a massive screen wrapping the far
wall of Los Angeles’ Staples Center, women in similar crowns surrounded
Beyonce, echoing the political and prideful celebration of black womanhood that
runs through the center of “Lemonade.”
Once the first few bars of “Love Drought” started
to play, the stage revealed a massive dining table. A dancer sat at each seat.
Flowers blanketed the scene, and Beyonce seemed to answer all the speculation
about her condition — by sitting in a simple chair atop the table that then
tilted out into space, leaving her belly up and hanging as she sang, “All the
loving that I’m giving goes unnoticed / It’s just floating in the air.”
She was introduced by her own mother, Tina
Knowles. It was the perfect framing for what the contemporary music industry
and delirious fans worldwide get to experience at this moment in her career —
Beyonce has long been Queen Bey, but tonight, and as she continues to raise her
family, she’s the queen mother.
Photo by Matt Sayles/Invision/AP
my opinion
i think she deserves to be called the queen mother.
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